Posts Tagged ‘Joss Whedon’

I’m happy for Joss Whedon, after hearing the announcement he’ll write and direct Avengers 2. I like to see a geek inherit the Earth.

But I worry about the franchise in general. Whedon has a tendency to make his villains too comfortable around the heroes. Considering he worked with vampires so long, I’m surprised how quickly he removes his villains’ teeth and makes them just ordinary guys and gals. Perhaps he just likes villains better, like Dr. Horrible. But I’m afraid that, in Avengers 2, Loki will be joining the heroes for a shawarma dinner.

Which one is better?

In the beginning… Later on…
Spike from Buffy Dangerous. You never knew what side he was on. Just kind of hung around because he had nothing else to do.
Danger from X-Men Living embodiment of the Danger Room. Coolest and most deadly new villain in the mutant titles. Just kind of hung around and poked fun of the heroes because she had nothing else to do.

Also:

“The Avengers” fixed the problems of the Marvel prequels

https://whatilearnedbywriting.wordpress.com/2012/05/06/the-avengers-fixed-the-problems-of-the-marvel-prequels/

Editing mistake in Dark Knight Rises:

https://whatilearnedbywriting.wordpress.com/2012/07/29/a-mistake-in-dark-knight-rises/

 

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At one point during The Avengers, I suddenly realize that here I am, in a big screen theater, full of people, watching a live action Thor and Iron Man fight. And it’s good.

Decades of comic book movies have brought us to this point: Where we can have high budget movies with A-list actors and directors bring our comics to the screen for the mass audience.

Sure, there have been some bumps along this road. But Marvel’s The Avengers paved over a lot of them.

Robert Downey Jr.’s Tony Stark and Gwyneth Paltrow’s Pepper Potts had more charisma in five minutes of screen time than in the previous two movies put together. (But why was she dressed like that?)

Chris Evans stopped being a boy in man’s clothes who didn’t emote (like how he was throughout the whole Captain America movie) and started being the take-charge man of principle that we all know he is.

The Hulk looked less like a cartoon, and more like a big, green Mark Ruffalo (This is a good thing). Ruffalo did a good job playing the conflicted Bruce Banner, and you could see in every scene that he’s trying to hold it together. I think Edward Norton could have done it well, too, but these things happen.

Black Widow was given something to do. Instead of just slinking around and kicking people, she was the brains of the operation in a way that Stark and Banner couldn’t be.

I should add here that I liked all of the previous movies, but The Avengers became the rug that really tied the room together.

Joss Whedon’s fingerprints were all over this thing. The bickering. The long stretches of dialogue. The humor.

There were times when a few characters are talking, then it switches to another scene where a few characters are talking, and then another. Compare that to the X-Men movies, where there’s a few minutes of dialogue and then someone is attacked. It was a welcome change, with all the testosterone flowing around, for people to have intelligent, character-revealing dialogue.

I’m very happy for Whedon. He helmed a very large, very expensive, and very high profile project and he did it well. However, I do NOT want him to direct any sequels. Whedon has a tendency to get too familiar with his characters, rendering villains harmless and heroes little more than people who just hang out together.

The plot was paper-thin, when compared to what Loki attempted in the Thor movie. But, this movie was all about bringing the heroes together, and there might not have been room for an overly elaborate villain plot. That’s debatable. The heroes spent almost as much time fighting each other. That may have been the plot, actually.

Loki was a bit too brutish with some of his combat. I don’t see him as the type to bring down helicopters with an energy weapon while riding on the back of a truck. He is the master of illusion. However, maybe his fight was just a ruse. As you see later, when he gets caught.

There was a hint of romantic subplot that may happen at some point, but there was no burden of forced romance when there are a bunch of big storylines running around.

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So, I’m very psyched for a sequel, although I have no idea how they’re going to top the villain they introduced (I saw it coming, for the record!) for the eventual part 3.

Joss Whedon wrote the best caption in Myspace Dark Horse Comics Presents, in his story of the band Sugar Shock. It was a brilliant way to transition from a night scene to the next morning. It goes something like this:

“Everybody goes to sleep and then they wake up and then this happens.”

 

Hey, why bother getting fancy?